In the late 1940s, when William Lyon Mackenzie King’s Liberal government began publishing “catalogues” filled with floor plans for modest homes meant to relieve a crippling post-Second World War housing crunch, the federal officials overseeing the initiative adopted a conspicuously modernist, suburban and mass-produced aesthetic.
Distributed by Central (later Canada) Mortgage and Housing Corporation offices across the country from 1947 well into the 1950s, the catalogues were filled with single-family homes in various permutations, including “strawberry boxes,” bungalows, backsplits and semis. Many came fitted out with iconic postwar features, such as carports and picture windows.
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